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The choir organs of Ottobeuren abbey

Die beiden (1762/66) von Karl Joseph Riepp gebauten Chororgeln der Benediktinerabtei Ottobeuren (hier die Hl.Geist-Orgel) fügen sich vollkommen in das Chorgestül ein.
two choir organs built by Karl Joseph Riepp

The northern (gospel) of the two choir organs built by Karl Joseph Riepp (1762-66) integrated into architecture of the choir stalls.

Der Blick über die Empore auf die Dreifaltgkeits-Orgel.
The view from the gallery of the Trinity Organ.

Riepp's organs have been repaired several times over time. Our institute did a preliminary investigation to control whether the archival records correspond with the preserved substance of the instruments.
The boriscopic photographs reveal first details of the craft of the maker Karl Joseph Riepp.

Boriscope photographs

Vox humana, internal view of boot with shallot
Vox humana, internal view of boot with shallot
Vox humana, tongue and tuning wire
Vox humana, tongue and tuning wire
Ventilanhängung/pallet wire
Ventilanhängung/pallet wire
traces of intonation in the rank Rohrflöte, view to languid and upper labium
traces of intonation in the rank Rohrflöte, view to languid and upper labium
traces of intonation in the rank Gamba, view to languid and upper labium
traces of intonation in the rank Gamba, view to languid and upper labium
Inscription "Grand Orgue" on a roof beam above the Trinity Organ, condition 2007; specific meaning unclear.
Inscription "Grand Orgue" on a roof beam above the Trinity Organ, condition 2007; specific meaning unclear.
Related investigation and documentation of the attic above the Trinity Organ 2007
Related investigation and documentation of the attic above the Trinity Organ 2007

presentation on the "Documentation of the Pipework of the Riepp Organs

Riepp family (1766) Ottobeuren abbey museum
Riepp family (1766) Ottobeuren abbey museum

Bernard Morlot (1766); Riepp family portrait (Museum of Ottobeuren Abbey)

The stand shows a manuscript of the Menuet in the „Premier livre de Pieces de Clavecin“ by Jean-Philippe Rameau. The slight differences in notation indicate that it was not directly copied from the print (see below). Obviously the families Rameau and Riepp were well acquainted, father Jean and brother Claude (Riepp's best man at his wedding) as well as Jean-Philippe being organists in Dijon. The harpsichord of this portrait might well have been one built by Riepp himself, as common custom with organ-makers at this time.

Rameau
Rameau