Square üiano N.N. marchand, Paris [vor 1800]

The maker's first name was erased later with massive means. So the instrument can be determined further by its range typical for the late 18^th century. Whether the address' spelling of the Rue St. Martin simply as "Martin" is an indication of the anti-clerical period of the  Directoire (1795-99), can only be guessed. The simple design matches the tastes of this period.

Pre-revolution and pre-Napoleonic keyboard instrument are rather rare and even ina state of fragemntation give witness of a florid piano culture. The affinities to the esthetic and technical developments in piano making beyond the Channel are rather obvious and even grew stronger in the tempory emigration years during the revolution. In the Napoeonic years a strong and leading postion of the Paris firms emerged.